control (_cont'd_):
____ pressure toward, 168
____ private incentives for, 168, 174
____ of property, 22, 170-171
____ of resources, _see_ resources
____ scarcity and, 47
____ by state vs. market, 12, 14
____ techniques of, 96
____ trends toward, 249
____ in vertical integration, 165-166
____ via firewalls, 172-173
____ of wires, 26, 147-176
Cook, Gordon, 267
copy protection system, 253
copyright law:
____ as agent for control, 180-217
____ aim of, 98
____ anticircumvention program in, 187-190
____ application of, 58
____ in art industry, 3
____ bots applied to, 180-183
____ broad application of, 4-5
____ censorship via, 184, 186-187
____ commercial exploitation limited in, 258-259
____ in Constitution, 177, 197-198, 237
____ constraints of, 8
____ content protected in, 10-11, 183, 185, 250-259
____ contract law and, 58-60, 186
____ contributory infringement under, 196
____ control uncontrolled in, 183, 200
____ for derivative works, 106-107, 123, 198-199
____ DMCA, 187, 88, 190
____ exceptions built into, 181
____ expansion of, 98, 106-107, 110, 196-197, 216, 264
____ fair use of, 105, 108, 181, 185, 188, 190, 195, 254
____ false claims under, 256
____ in film industry, 3-4, 11, 200
____ and First Amendment, 198, 264
____ foreigners excluded from, 106, 185, 190-191
____ incentives provided by, 59, 98, 107, 197, 201
____ intent of, 11, 187
____ on the Internet, 98, 178-179, 190-192, 200, 216
____ in music industry, 3, 192-194, 254-255
____ narrow scope of, 8, 106-107
____ noninfringing use under, 195-196
____ old vs. new in, 202-205
____ potential use under, 195-196, 200
____ and site shutdowns, 183
____ as state-backed monopoly, 250
____ "thick" vs. "thin" protection in, 202-203
____ time limits in, 106, 107, 188, 197, 251-252
____ unenforceable violations of, 181, 182
____ unlicensed uses in, 180-181
Corel Corporation, 262
Cox, Alan, 57
CPHack, 184-187, 188, 190
creation vs. discovery, 106
creativity:
____ in adaptations, 8
____ in the arts, 104-112, 200
____ before the Internet, 8, 104-119
____ centralization of, 44
____ in commerce, 112-119
____ constraints on, 7, 8, 11, 104, 202, 216
____ control in process of, 107-110
____ with digital tools, 9
____ in filmmaking, 235
____ free resources as basis of, 12-15, 44
____ incentives for, 4, 21, 59, 109
____ and innovation, 10
____ intellectual property in, 203
____ in the Internet, 6, 9, 14, 23, 76
____ legal control of, 4, 58-60
____ licensing and, 216
____ new built on old in, 9, 13, 202, 204, 214
____ potential for, 9-11
____ rebuilding commons of, 255-256
____ and subsidiarity, 121
____ tangible forms of, 58
Crocker, Steve, 36
CSS (content scramble system), 189
culture, production of, 263-264
culture databases (CDDB), 124-126
CyberPatrol, 184-186
cyberspace:
____ architecture in, 120-121, 140
____ character of, 121
____ code as law of, 35
____ control in, 237-238
____ as nonrivalrous, 116
____ vs. real space, 103-104, 121, 181, 182
____ world of ideas in, 116

[[340]]

p339 _ -chap- _ toc-1 _ p340w _ toc-2 _ +chap+ _ p341

v?